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Art and Culture | Art

Written by Carlo Valenti

With a crowded openings in the "historic" court of 51st Street Margutta, opened the exhibition Black & White strongly desired by art dealers and Nicoletta Maria Fabio Falsaperla gargles. In the two galleries "The Cloud" could admire the works strictly in black and white of two generations of artists who use painting as a formal experiment. The choice to present works that have as their common denominator being made in black and white or just white or just black, stems from the desire of the two dealers to show the harmony of the signs of contemporary art that is developed by its simplicity of each composite individual work.

The attentive viewer can then obtain all the emotions, feelings and visions that rhythm severe fullness and emptiness suggest. Is a long list of historical artists present at the exhibition: Carla Accardi, Franco Angeli, Mario Ceroli, Giosetta Fioroni, Sergio Lombardo, Jannis Kounellis, Renato Mambor, Gino Marotta, Fabio Mauri, Cesare Tacchi, Mario Schifano and younger as Getulio Alviani Constantine Baldino, Ivan Barlafante, Danilo Bucchi, Alessandro Cannistrà, Pamela Cento Dan.Rec, Giusy Lauriola, Emilio Leofreddi, Achille Pace, Alberto Parres, Gisella Pietrosanti, Cristiano Pintaldi, Nicola and Stephen Trappolini Spezzano. Rhythmic simplicity of their works in black and white shines all the insight, strength and freedom of pure creation and effective even if a successful attempt to simplify rational.

"The adoption of black and white, served in the late 50's to take away the falsity of the way, the reality, that was created only for the incidence of light in a given time of the search technique," writes Andrea Tugnoli. "The white and black were now being used to depersonalize the representation, as does Carla Accardi Siege in 1957 (works in the exhibition). In the intentions of the artists of the School of Piazza del Popolo, but not exclusively, used to make self-image. It was the rediscovery of space, space-dimensional or two-dimensional, as opposed to the multidimensional space. The aim was to reach the degree zero of painting, the instrument was the monochrome. "