Welcome back Woody!

Not really missing anything in this last effort of the great New York director, and as a cocktail worthy of respect, the ingredients are carefully measured, a physical depressed and disillusioned, a naive young girl, a mother frustrated artist who finds a second life ; a husband in the crisis that finds true sexuality. In short, the universe of varied neuroses and phobias that Woody Allen had used the public since its inception in cinema. The irony, intelligence, sarcasm and brilliant insights are happily exist in this film that there Allen proposes a first manner, and which truly will be missed. A resounding, measured, hateful Larry David personifies physicist, Nobel failure, Boris Yellnikoff.
Tragic figure, at least as they are his bermuda to quadrettoni, which embodies a cosmic pessimism, with the ambition misogyny affected by a suicide induced by a divorce ever metabolized.

A character like that, which contains all the Judeo-depressive paranoid dear to our authors who could encounter if not in an embarrassing blond IQ, but shrewd enough? Evan Rachel Wood is the chirpy Melody, a homeless Pounces suddenly in the life of Boris as a colic liver and accepted with the same enthusiasm. However, and this is nothing new, she fills with her sweet lightness intellectual and emotional voids human dell'asessuato Boris to lead him to an unlikely marriage.

And it is at this point that in an affair that is slipping dangerously in déjà vu, comes the fateful "coup de théȃtre" Marietta enters the scene, the deranged mother of Melody that with a divorce case and later be installed in ' apartment of the two pigeons without much astonished compliments. Marietta hiding behind a layer of stolid respectability an undeniable religious artistic talent, he soon discovers woman of art and casual costumes. To complete the picture comes home too confused Randy, former husband of Marietta inconsolable. Here the play in initiating a more or less logical conclusion, we may have a surprise outing by Randy passing from one status to a gay ex-husband paranoid achieved. Woody Allen in "Whatever works (enough to work) gives us several bars that will go down in history, drawing a cast of characters that move in the scene in full autonomy without overlapping with others. To all the aficionados who have found in this work, the genius of Allen's gone, it should be pointed out that the film was written by the director in the late seventies and the character of Boris had been sewn upon the great Zero Mostel. The premature death of the actor stopped to freeze the project of Port Allen made the film for over 30 years. In conclusion this is the coach that we like, this is the coach who "works".

The movie lovers can enjoy with a good knowledge of the film (as did the writer, but had to contract), in the original version with subtitles on the New Olympia, a multiplex welcoming the Trident in via in Lucina 16 / g.